This Old House Magazine: The Right Brush For the perfect paint job, invest in the best By Clayton DeKorne, Reported by Jordan Reed, Photos by Eric Piasecki From This Old House Magazine
Without a good brush, it doesn't matter how experienced a painter you are," says painting contractor John Dee. "You can't control the paint." According to Dee, who has painted a number of This Old House projects, the search for a good brush starts with knowing exactly how it will be used. A thick, four-inch-wide brush with long bristles would be perfect for coating clapboards but useless on narrow window muntins. For windows, Dee chooses a thin, two-inch-wide brush with a long handle and shorter, more easily controlled bristles. "I'm always trying to strike a balance between precision and productivity," Dee says. "The more you have of one, the less you get of the other." A brush's performance depends on its bristles, which carry the liquid finish to a surface, distribute it evenly, and smooth out the imperfections. The old rule about never using natural-bristle brushesmeant for oil-based paintswith water-based formulas still holds; natural bristles soak up the water and go limp. But the newer blends of synthetic filaments can handle both types of paint with equal finesse. "More than anything," says Dee, "it's essential to use the best brush money can buy." That said, there are still timessmall jobs where the cleanup would take longer than the workwhen a throwaway foam or cheap bristle brush will do. __________________________________________
Painting Before dipping a brush in paint, dip it into water (for water-based paints) or paint thinner (for oil-based paints) to wet the bristles in the ferrule (the metal base) and prevent paint from building up there. This makes cleanup easier and extends the brush's life. Spin out the excess; then comb out the bristles with a brush comb (sold at paint stores).__________________________________________
Dip the bristles in the paint a bit less than halfway; paint any higher up the brush won't get onto the surface and will be harder to clean out. To prevent drips, slap both sides of the brush against the inside of the bucket.__________________________________________
Start each stroke on a dry surface, working back toward any wet edges. Spread full brushloads evenly, using the sides of the bristles. Then lightly drag the ends across the wet coating in one direction. This final "tipping off" erases any brush marks.__________________________________________
Cleaning & StoringClean brushes as soon as you're done painting for the day. Use warm, soapy water for water-based finishes; for other coatings, use the solvent specified on the can (see "Cleaning With Solvents," below). A brush is clean when the water or solvent runs clear (above left), usually after four rinses. Do not leave a brush to soakit may distort the bristles. Spin out excess cleaner, comb the bristles with a brush comb to straighten them and remove any remaining paint then lay the brush flat on a cloth to dry. Store it in its cardboard keeper or a piece of folded newspaper to preserve its shape. __________________________________________
| |