Aged Equestrian Prints

Our Place : Episode OPL-237 -- More Projects »
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Figure A

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Figure B

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Figure C

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Figure D
Host Renai Ellison demonstrates how to take new copies of old prints and give them an aged, antique look (see photo at right).

Materials:

prints on sturdy paper
foam core
water-based varnish
variety of paintbrushes
oil-based varnish (one tinted and one clear)
crackle varnish (Use tinted varnish for a more aged look.)
* Optional: hair dryer to speed up the drying process
burnt or raw umber oil-based paint and soft cloths
mat board and frame with glass
spray adhesive

Steps:

  1. Crumple the print to create lines on the paper (figure A).

  2. Attach to foam core.

  3. Place the print on a flat work surface and coat with water-based varnish. Let dry well.

  4. Apply a coat of the oil-based varnish over the entire piece (figure B). Let dry partly until it is tacky.

  5. Apply one coat of crackle varnish over the surface. You may want to use a hair dryer to speed up the drying process.

  6. Using a soft cloth, rub over entire surface of print with oil-based paint. Rub gently, wiping off any excess as you work. The paint seep go down into the cracked surface.

  7. Apply a coat of oil-based varnish and let dry well.

  8. Use spray adhesive to mount the print on a backing board.

Other options

  • For a brush-stroke look, instead of crumpling the photograph, mount it on foam core, then brush it with gloss finish (figure C). Follow the remainder of instructions above.

  • For an aged look, instead of crumpling the paper, mount it on foam core, then rub it with steel wool (figure D) to create a worn finish. Use oil-based paint to rub on burnt umber "aging."
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